Archive for the ‘Audio’ Category

Reconing an Eminence JAY7010 Subwoofer Driver

Sunday, January 3rd, 2010

Earlier this year I bought some PA speakers at auction. The auction company was cagey enough to list them all as “untested / condition unknown,” but I suspect they had a pretty good idea of the condition.

Eminence JAY7010 18-inch driver on chair

I ended up with a Yamaha SW1181VS 18″ 500W subwoofer, a Yamaha Yamaha CW218V dual 18″ 1220W subwoofer, and a spare Eminence JAY7010/7011 18″ driver. All four of the Eminence drivers were nonfunctional — some dead shorts, some open. This was a bit disappointing.

My four drivers all look the same, but are labeled JAY7010, J7010, and J7011. From what I can tell, Eminence OEMed these drivers for Yamaha and they don’t seem to be available for direct sale. I found a speakerplans.com forum post with specs sent by Yamaha listing the drivers as 600W. I also found a Google listing summarizing an expired eBay auction claiming that these are the same as the Eminence Sigma Pro, which is a 650W driver widely available at around $160.

For the prices I paid for the Yamaha speakers, new drivers at $160 each would go a long ways toward the cost of entire new speakers — the CW218V (dual) is available from Musician’s Friend for a little over $700 with free shipping.

I had never before heard of reconing drivers, but quickly ran across it in my Google searches for J(AY)7010/11s. The idea is that the basket and permanent magnet are still good, that a new voice coil and cone cost less than the whole thing, and that you can replace them yourself at home with a little time and care. Eminence offers recone kits for all their consumer drivers, but recone kits for custom and OEM drivers are available only to the OEM customer.

Although soundspeakerrepair.com has a great instructional video on the reconing process, I ended up getting my kit from reconekits.com for $69.23 + $13.95 USPS Priority Mail flat rate. Over the holiday break, I took the time to install the kit, and the results have been fantastic.

The Kit

Speaker reconing kit instructions: contents

Speaker reconing kit in box

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Buying and Assessing a Crumar T2 Organ

Sunday, November 29th, 2009

I’ve been looking for a lighter-weight alternative to my Hammond — something practical to set up and take down at home for practice, as well as to take to jam sessions and the like. And when I say an alternative, I already had my heart set on a Crumar T2 from way back in 1978. I have several Crumar synths, so I have a soft spot for the company; and I have a T1 organ and knew I was satisfied with the drawbars and Hammond-like sound. I just needed the T2 for the the dual manuals (keyboards).

Crumar T2 Hammond organ clone

I recently bought this on eBay for $255 purchase plus $185 shipping — at about 100 lbs, I don’t think I was overcharged for shipping. It’s still only a quarter the size and weight of my Hammond, so it’s all good. Like all Crumars, the keyboard is built into the bottom half of a hardcase with a lift-off top and very rugged handles, making transport easy possible.

This is the first of a (hopefully only) three-part set on evaluating what I got and bringing it back up to perfect usable operating condition.

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Installing a Behringer DSP8024 Equalizer and Upgrading Firmware

Monday, June 8th, 2009

I’m interested in faithful audio reproduction on my home stereo, not just sheer loudness; and even if I don’t end up choosing to stay there, I’ve always wanted to start with a flat frequency response — that is, every pitch that’s played back coming out of the speakers (more to the point, reaching the listener) at the same volume.

My Sony TA-E9000ES preamp / processor has a white noise generator for calibrating the volume of the surround speakers — it sends “static” to each speaker one at a time going around the room. Because I can hear a distinct difference in the “color” of the static when it goes from my main front speakers to my center channel, I already assumed that my different speakers are not providing the same reproduction of the signal going into them — which means that at least some of them (and probably all of them) are not delivering a flat playback.

Behringer 8024 digital equalizer

While poking around on Behringer’s web site, I came across their discontinued DSP8024 digital equalizer. It offers thirty-one 1/3-octave bands of graphic equalization from 20Hz to 20kHz — but more importantly, it offers real-time analysis of your audio system. Connect a reference microphone and turn on auto-equalization and it plays pink noise through your speakers and adjusts the EQ to give you flat response.

And because it’s discontinued, I figured a used one would be a cheap way to get into real-time analysis and flat frequency response. Within a week or so I had picked one up on eBay with the ECM8000 reference microphone.

After flattening my room response, the sound coming through my DSP8024 is simultaneously absolutely awful and absolutely glorious.

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